Aaron takes Miles to an underground, abandoned subway connection near the headquarters of a closed cutting-edge lab that went bust, where Miles and Aaron can use their graffiti skills as artists. . It hits all the right notes that will attract media-wise moviegoers looking for a fun, uplifting time at the local movie theater. Into the Spider-Verse also does a fantastic job of integrating music in a meaningful way with the action unfolding on the screen. The movie has lots of cartoon action violence and some light slapstick violence.
In doing this, the filmmakers have lots of fun with the goofy ways that comic books create different characters and how they came to be who they are. The film is more than that, and more than the typical animated feature aimed at general audiences and sprinkled liberally with elements appealing to both young kids and adults. In one dimension, Miles, a black Hispanic teenager, gets bitten by a radioactive spider. Despite some references to the humanist notion of a multiverse, the movie sticks to the older science fiction concept of separate dimensions, where different versions of the Spider-Man origin story occur and different heroes and heroines with spider powers emerge. Kingpin sends henchmen after Miles.
Otherwise, the movie is family-friendly. That bridge from one generation to the next carries through in all the facets of Into the Spider-Verse, which offers just as much for its youngest audience members as it does for longtime fans of Spider-Man and his adventures. The animation and production values are high, with excellent voice work from the actors. They team up to stop Kingpin. Recent Movie Reviews A joint production of Marvel Studios and Sony Pictures Animation, Spider-Man: Into the Spider-Verse is probably undersold as another Spider-Man origin story. The style of animation manages to feel simultaneously futuristic and classic, with brightly colored imagery that pops off the screen while remaining firmly rooted in old-school comic-book artistry.
He finds a comforting soul in his older uncle, Aaron, who, like Miles, wants to be free from rules and responsibility. As noted above, family plays an important role in the story and its turning points. A dying Peter Parker gives Miles a key to stop a huge machine that the crime boss, Kingpin, is using to resurrect his dead wife and son, but that could destroy the world. While there, Miles hears some noises coming from the closed lab building, where he finds Peter Parker aka Spider-Man battling the ruthless crime boss Kingpin and his henchmen. The tone of the film is often dictated as much by the audio elements as the visual, giving the complete package a movie mixtape vibe that only adds to its appeal.
So he hesitates while the villains mortally wound Peter. This is as it should be in the Spider-Man universe. Miles promises Peter he will use the key to stop the machine before Kingpin can make it fully operational. The script for Into the Spider-Verse was co-written by one half of The Lego Movie writing and directing team, Phil Lord, and the film shares a lot in common with that 2014 animated hit. Into the Spider-Verse follows the story of Miles Morales, a Brooklyn teenager living in a world that already has a Spider-Man.
The film samples from a wide range of hip-hop, rock, and electronic music, from classic touchstones in the genre to modern tracks, and it does so in a way that feels organic to the story. The problems Miles undergoes throughout the story are clean, relatable problems laced with family-friendly humor, without the usual crude references that occur in other movies about teenager characters and their personal problems. Miles would rather go to his old school in Brooklyn. This causes all sorts of trouble for Miles at school, so he decides to return to the underground subway connection and find the dead spider that bit his hand. Miles gets bitten by a radioactive spider infused with electrical powers and by morning is transformed into a budding Spider-Man in his dorm room. As he lies dying, Peter hands Miles a key to the machine that can stop it.
Finally, a major sequence leading to a nice chase sequence is set at Trinity Church in New York City and its nearby cemetery. Joined by a group of colorful spider-heroes from various alternate dimensions, Miles must learn how to become the hero his city needs while preventing crime boss Wilson Fisk from destroying it all. Kingpin sends his henchmen after Miles to get the key. The family theme in the movie brings some well-earned tears and heartwarming moments to the story. Some of the action violence is intense. And yet, proves that we did indeed need a new Spider-Man origin story. Some of the action violence is intense, so caution is advised for children.
Miles, the teenage hero, is a character that children and families can appreciate as they watch the movie. Its redemptive pro-family themes extol love, sacrifice, forgiveness, doing the right thing, saving others, and getting a second chance. The dialogue repeatedly talks about taking a leap of faith. . .